Showing posts with label herb. Show all posts
Showing posts with label herb. Show all posts

Wednesday, April 2, 2014

Motherwort

I've had this idea for some time to use a multimedia approach to provide detailed information on the identification, harvesting and medicinal properties and uses of individual herbs. We're still trying to get a feel for this, but a couple of weeks ago I put together a prototype video on motherwort herb (Leonurus cardiaca). We have posted this video on YouTube along with some written supplementary information which is available on the Herbal Resources page of the Living Earth School of Herbalism website. You can check out the video here. The supplementary info is available here. Enjoy!

My dear friend motherwort (Leonurus cardiaca)!


Friday, March 21, 2014

Good Relationship

For those of us who live in the Northern Hemisphere, today is the first full day of spring! For me, the solstices and equinoxes are the closest thing to a "religious" holiday. I always take these days off as times for ceremony and reflection, both on my own and with the members of my community. They are important transition points in the yearly cycle of the seasons, and excellent times to honor our relationship with the world that we are part of.

Spring may be officially here, but spring weather will probably be later than usual this year!

This morning when I was out at my prayer circle offering my morning prayers, beginning for the first time this year in the eastern direction of this new season, twice I heard the call note of a male red-winged blackbird as one flew overhead. In this region red-wings are the first birds to arrive from wintering in the south. Hearing them for the first time on this first day of spring was a good omen that, in spite of the lingering below normal temperatures, spring is arriving. There are other signs as well. Among the birds that overwinter here, the cardinals and black-capped chickadees started singing their spring songs a couple of weeks ago. The robins started whinnying around the same time, but I only heard the first one singing this afternoon when I was walking my dogs in the woods. The song sparrows haven't started yet, but they will soon. The dark-eyed juncos are still here. They won't be heading back up north for some time yet.

The increasing intensity and amount of daylight as the sun climbs higher in the sky each day is another sign that is very noticeable. The greatest amount of change per day of the amount daylight occurs at the time of the equinoxes - three minutes per day at the latitude where I live. During the last couple of decades the red-wings have usually arrived much sooner than the equinox. After this years longer and colder winter their call is a welcome sound.

The trembling aspens (Populus tremuloides) are getting impatient!

In contemporary Western society we tend to live cut off from the natural rhythms and cycles of nature, both within us and around us. We do so at our own peril! Not only has it had an overwhelming negative impact on our physical, psychological, spiritual and social well-being, it has similarly affected the well-being of our Earth Mother and all of the other beings that we share our lives with. Our life is only as healthy and fulfilling as the quality of our relationships.

As an herbalist, it is essential that I am in a good relationship with the medicines that I use and the land where they live. My role is as a mediator between the medicines and Nature, and human society - both as a healer and as an educator. It would be awesome if we lived in a society where we are as time-rich as our ancestors, the traditional peoples of the world, once were. I could take people out and acquaint them with the medicines that they need so that they could be in a deeper relationship with those medicines. The healing would be so much more powerful! Sadly, this is not possible any longer.

That being said, for people who wish to live a life of greater health and well-being, and who also have an interest in herbs, getting to know some of the plant medicines even on a casual basis can be a powerful way to enrich our lives and enhance our healing process. It allows us an opportunity not only to create a deeper relationship with some of the plant people, but with all of Nature as well. Whether we are atheists or agnostics, or believe that the natural world is connected to or an expression of a deeper spiritual reality, we must acknowledge that all healing comes from Nature. Connecting with plant medicines and Nature are essentially two sides of the same coin when it comes to the healing process.

Some plants overwinter as a rosette. This European sweet violet (Viola odorata) is taking advantage of full sun
(in the winter only) and a slightly south facing slope.

Back in the late 80s and early 90s when I first started teaching, the Herbal Field Studies workshops (which were then called 'Herbs of Ontario') were the first courses that I offered. Teaching people how to identify local herbs during the various stages of their life cycle, harvest them and use them was a big part of what these workshops were and are about. However, my primary objective was to use the participants' interest in herbs as a means of getting them out into Nature. This is an essential part of the healing process because it is our disconnection from Nature that is directly and indirectly the main reason why people and society are unhealthy to begin with.

Eventually I knew I needed take it deeper and after experimenting with different content and formats The Spirit of Herbs workshops were born: first as a weekend, then six days, then eventually (in response to where I knew the Medicine needed to go and requests from students for more) I added two more workshops to the series. I consider these workshops to be the most important courses that I teach. For any herbalist, having a wealth of knowledge of herbs and a good system for applying that knowledge is essential - as is plenty of experience. Together they can produce profound healing. However, what separates the good herbalists from the great herbalists is the depth of their relationship with the medicines. This is not only true for herbalists, but for anyone who uses herbs personally or professionally. The deeper our relationship with the herbs and Nature, the deeper the healing we are able to receive or facilitate when we need to use them.

The Spirit of Herbs workshops are also my favorite courses to teach because they always stretch me. To teach the Medicine I have to be able to live it. It is always a powerful learning and transformative process for me having to hold the space for the benefit of the participants and offering the Medicine at a much deeper level. It is also a profoundly humbling and fulfilling experience for me to witness the transformations that the participants go through as they develop a greater capacity to connect more deeply with themselves, the plant medicines and Nature.

Grandmother white pine (Pinus strobus) is happy to enjoy some early spring sunshine!
I spend some time sitting with her every day when I walk my dogs.

In summary, I can not over-emphasize the importance of being in and connecting with Nature. It is essential to who we are because we are Nature and Nature is us. This is not only the experience and wisdom of traditional peoples worldwide, for those who need "proof" there is a growing body of research that is beginning to demonstrate it as well (for example, see: http://www.sciencedaily.com/releases/2010/05/100502080414.htmhttp://www.sciencedaily.com/releases/2013/04/130422101303.htmhttp://www.sciencedaily.com/releases/2014/01/140107093323.htm). What's amazing is that the benefits that are being demonstrated in these studies are the result of relatively simple things like more trees in urban areas, or spending a little time exercising or doing activities in more natural settings. Most people are still pretty distracted when they are in "greener" spaces: by their thoughts and by their technological gadgets. Add a certain level of quiet of our mind and deeper connection and the benefits increase exponentially!

The workshops that I offer provide an opportunity for participants to deepen their connection with Nature through their interest in medicinal plants. However, there are other teachers out there that offer similar experiences through other connections. For instance, in his recent book What the Robin Knows, Jon Young provides guidance about how we can foster a deeper connection with Nature through learning the language of birds. Whether it's birds or other animals, general nature awareness, or wilderness survival, there are teachers and mentors who truly walk their talk and from that place of experience and knowing are able to help others to more deeply connect with themselves and Nature by developing these skills in a way that fosters greater awareness and good relationships. Developing these personal interests is an excellent way to more deeply connect with Nature and live healthier, more fulfilling lives.

One of the most important tools for achieving this, which is explained in detail in Jon's book, is what we call the sit spot. It is simply a place in as natural a setting as possible where we intuitively feel good and can spend time sitting quietly and observing the world around us through the seasons. Although it's great for those of us who live in rural areas or on the edge of parks or other natural areas to find a sit spot that is in a more wild, natural environment, the most important characteristic of a good sit spot is its accessibility. The more effort we need to put into getting there, the less often we will use it. It's much better to find a nice spot under some trees in our backyard than some place that we need to walk or drive 20 minutes to visit, because the more often we use our spot, the deeper the results. Nature is everywhere! All we have to do is quiet our mind and be fully present with all of our senses. When we do this in the same spot on a regular basis, it provides a framework from which we can really get to know a place through its various cycles and changes. It is best if we can spend some time there at least several times per week. The more we make this a priority in our life, the greater the benefits. This season is a great time to start!

On that note, I would like to wish everyone a great spring (or great autumn to my sisters and brothers in the Southern Hemisphere)!


Thursday, March 6, 2014

Making Medicine Part 5 of 5: Pressing and Filtering a Tincture

This is the fifth and last post in a series in which I am using the process of wild harvesting and making a fresh herb tincture of blue vervain (Verbena hastata) as an example to explain in detail the process of making herbal tinctures. In Part 1 of this series I discussed the process of harvesting blue vervain; in Part 2, preparing the herb for macerating; in Part 3, preparing the maceration; and in Part 4 I discussed some of the common equipment that is available for pressing and filtering the maceration. Now we're going to look at the actual process of pressing and filtering our maceration to prepare the tincture.

As I indicated in Part 4, this final stage in preparing our tincture can be either a single or two part process. The standard method is to pour the maceration into our press. Much of the fluid (also called the macerate) will flow through, but not all of it. Then we apply as much pressure as our press will easily allow to squeeze as much of the fluid as we can out of the herb material (also called the marc). The better the press, the more fluid that we can press out of the herb. This is not only more efficient because we will end up with a greater volume of tincture, but our tincture will tend to be a bit stronger because the fluid that is deep withing the tissues of the herb will tend to contain the highest concentration of its constituents. Having macerated the herb for at least three months will ensure that the herb tissues have softened sufficiently to make it more easier for our menstruum to penetrate into the tissues of the herb, extract its chemical constituents, and be pressed out when we apply pressure.

With this method, the fluid that flows from the press will contain herb particles that are small enough to pass through. The fluid must then be filtered. The standard method is to allow the tincture to flow into a filter in a funnel placed over a large beaker or other kind of receiving container, and allow gravity to draw the tincture through the filter. Beakers are the best container to use because they have a large opening, are graduated, have a spout that will make it easier to pour the tincture into our bottles, and better ones will be made of borosilicate glass which is more durable. Although the graduations on a beaker do not allow us to accurately measure the volume of our tincture, they give us an approximate volume which allows us to determine the size and number of bottles we will need to store it.

For this process we do not want to use a paper filter as these are too fine. We need to use a fairly coarse filter because we want to include the fine sediment and other thick components like latex in our tincture. This means that it is best to use a cloth filter. It is critical that our filter does not contain lots of chemicals that are typically found on fabrics these days. The best fabrics are unbleached organic cotton, hemp or another natural fibre or combination of fibres. Muslin or some other coarse weave is best as long as it isn't fuzzy like flannel. Otherwise cloth fibres might end up in our tincture. Even when using a relatively non-toxic fabric to make our filters, it is best to wash them a few times and rinse them very well. We don't want soap in our tinctures! Cloth filters will last many years. They need to be scrubbed (by rubbing the fabric against itself) and rinsed well after use. Although it is best to use soap the first time we wash them and rinse them very well, water alone is best after their initial use. Soap isn't necessary because tinctures are sterile. However, it is important that the filters be allowed to dry completely before storing them.

When using a potato ricer, the macerate (fluid) and herb material are poured into the ricer, which is held over the filter.
The liquid will flow through into the filter. An cone-shaped unbleached cotton coffee filter works well for this.

The herb material (marc) is then squeezed to get as much liquid out as possible. Once the macerate
has completely flowed through the filter we wring it out to get any remaining fluid out of it.

In terms of funnels, the best funnels have a design that has a spiral cut into them. This reduces the surface contact between the filter and the funnel and allows the fluid to flow out more quickly. These funnels are usually make of glass or polycarbonate (plastic #7). We don't want to use polycarbonate plastic because it contains toxic chemicals that will leach into our tincture. That leaves the glass ones. However, they are very expensive, easily broken, and only marginally speed up the filtering of tinctures that have sediment or latex. Tinctures that don't have these components tend to filter relatively quickly anyway. As a result, I recommend solid plastic funnels. They are inexpensive and easy to obtain. That being said, we only want to use funnels that are made of polyethylene or polypropylene (plastics #1, #2, #4 and #5) as these are not known to contain any chemicals that will leach into our tincture (so far). If the funnel doesn't clearly indicate which type of plastic it is, don't use it.

With a screw press, the receiving cylinders must be removed from the frame of the press in order to
be able to easily empty the contents of our macerating jar into them. It is also important that
the beaker be at a lower level to allow the tincture to flow into it.

The biggest disadvantage of this method of filtering is that it is very slow. In fact, if the tincture contains a lot of sediment and/or latex it can be extremely slow, even with a very coarse filter. This is undesirable because the longer our tincture is exposed to light and especially air, the greater the amount of degradation of its active constituents that will occur. As a result, I always use the second method of filtering the macerate and that is to make cloth filters that fit inside our pressing device. This allows the maceration to be pressed under pressure. It only slightly slows down the pressing process and the end result is a filtered tincture that can be bottled immediately. The reduction in time will significantly reduce the oxidation of the components of our tincture and therefore improve its quality and how long it can be stored before use. With this method it is not necessary to use a funnel unless we are using a potato ricer as our press. With a well designed screw press or hydraulic press the tincture can be directed directly from our press into the beaker.

With a potato ricer the cotton coffee filter is placed inside the ricer. It's still a good idea to use a funnel because the tincture
doesn't flow out of the ricer as neatly as through a hose and the funnel provides a wider area for it to drain into.

Here's the same set-up with a screw press. In this case it's necessary to make filters that fit the inner cylinder
of the screw press as cotton coffee filters are too small and not the right shape.

We pour the fluid into filter and then empty any of the remaining herb material into it as well. There will always be some residue in the jar, so I will pour some of the filtered tincture back into the jar to rinse the last of the herb material out of it. then we fold up the top of the filter so that when we apply pressure to it none of the unfiltered fluid will flow out of the top. With herbs that have a latex or are very mucilaginous, the filter will sometimes clog up preventing the fluid from draining efficiently. If this happens, it is important that there is no excess liquid on top of the herb material in the filter when we press it or it will not be possible to prevent it from flowing unfiltered out of the top of the filter. In this case I lift the filter part way out of the cylinder and rock it back and forth to speed up the rate at which the macerate flows through. Once the level of liquid is below the top of the herb material, it is OK to fold up the filter over top of it and press it. With a potato ricer we simply press it as hard as we can; with a screw press we tighten the screw as tight as we can; with an hydraulic press we pump it as much as we can.

Tightening the screw.

Here's the actual process using my hydraulic press: pouring the macerate and herbs from the jar into the cylinder.

Pumping the press.

With this method, once we finish pressing the herbs the filtering process is also complete and our tincture is ready! We need to get our tincture into bottles as quickly as possible in order to minimize oxidation. It is necessary to use narrow mouthed bottles because they have a smaller air space and it's easier to pour out of them. Once more we want to use amber glass bottles. The bottles I use are called amber metric rounds. The best lids are plastic phenolic caps with a cone-shaped polyethylene liner as these lids seal the best and polyethylene is one of the two kinds of plastic that are suitable for this purpose (the other being polypropylene).

50 ml, 100 ml and 250 ml amber metric rounds. The equivalent in the US is 2, 4 and 8 oz. bottles, which are slightly larger.

It is better to store our tincture in several smaller bottles rather than one large bottle. This will significantly increase the shelf life of our tincture. Every time we open up the bottle and use some of it we are exposing it to more oxygen and increasing the size of the air space in the bottle. The tincture in the bottle we are using will degrade much more rapidly than tincture in a full, unopened bottle. Since I tend to press half or one litre jars, I store my pressed tincture in multiple 250 ml bottles. If you are making smaller quantities for personal use, it is better to store your tincture in 100 ml bottles. Just like with our maceration, these bottles should be stored in the dark. Presumably, the last one we fill won't be completely full. We'll start by using that one and not start another until it is completely finished. In this way each bottle remains undisturbed until we need it. For most herbs, the tincture stored in the dark in an undisturbed full bottle will maintain its potency for about 6 months to a year. However, once we start opening it and using it it's best to use it up within 4-6 months. They don't go bad. They just lose their potency. The timing I have indicated is what is ideal. It doesn't mean you should throw out a tincture if you don't use it all within that time frame. However, I like to do things as ideal as possible, so I usually don't press any more of a specific tincture than I can use within 4-6 months.

Pouring the finished tincture into storage bottles. For demonstration purposes I broke with the tradition of these posts. I did not press
blue vervain herb tincture (Verbena hastata) because I had plenty on hand. Instead I pressed a half litre of blueweed herb tincture
(Echium vulgare) which is from the Borage family and has similar properties as common comfrey herb (Symphytum officinale).

It's important that we label our bottles of tincture. The label should include the name of the herb, the part of the herb used, the potency of the tincture, and the date it was pressed. I always use the same bottles for the same tincture because the bottle picks up the aroma and energy of the herb. You will note from the photo that I use green masking tape for labels because it is relatively water resistant, can be written upon and looks pretty good. Each time I press a tincture I cross out the old date on the bottle labels and write the new one until the label is full. Then I start a new one. This is an efficient way to label them because the same label can be used many times and a quick scan of the label gives me an accurate indication of how much I am using that tincture. This information is important when it's time to harvest that herb in terms of estimating how much I will need for the following year.

So, that finally wraps up this discussion of making tinctures! I hope that you have found it useful. As I promised way back when I posted the first installment of this series, since blue vervain was the common thread, especially in the first three posts, I am providing detailed information on the properties and uses of this herb that is based on my research and experience on the Herbal Resources page of the Living Earth website in the form of a pdf document that you can download (link to pdf file). Enjoy!

Thank you blue vervain!


Wednesday, December 4, 2013

More on Chaga!

There's been a lot of interest in the post I did in September on Chaga and the Wild Harvesting Dilemma. As a supplement to that, I've just put up a video on YouTube taken from an Herbal Field Studies field workshop last August in which I discussed chaga.  Enjoy!

That being said, in the couple of months since I wrote that post I have seen a disturbing acceleration in the number of products containing chaga on the market. It's being added to vitamin supplements and various kinds of powdered supplements, and most disconcerting of all in food products as well! Sadly, this is the result of a lot of companies trying to cash in on the chaga craze at the expense of chaga, the environment and the people who really need it. It's also just a marketing gimmick! In most cases these products don't contain enough of the fungus to have any health benefits. However, they may have enough in them so that if these products are consumed on a regular basis for a long time our body could get used to the chaga and it won't work as well if some day we really need to use it. This is why I never recommend the use of vitamins, powders or food products that contain medicinal herbs! This is not an appropriate use of these medicines. They are not meant to be consumed in minute quantities over very long periods of time.

Aside from the fact that minute amounts of chaga (or any herb for that matter) in a multivitamin or chocolate bar are not going to do much for anyone, the bigger issue here is that chaga is difficult to cultivate and the cultivated fungus is significantly inferior to the wild harvested source. As a result, it's wild harvested chaga that these companies are using. For reasons that I explained in my previous post on this topic, wild harvesting chaga on a commercial scale simply is not sustainable. Even if the level of consumption stays at the current rate (and it is actually increasing rapidly), within a few years this fungus is going to be severely depleted in the wild like other herbs that have been over-harvested such as ginseng (Panax spp.) and goldenseal (Hydrastis canadensis).

Goldenseal (Hydrastis canadensis) is now rare, endangered or extinct in most of its former range due to over-harvesting.

Even if it was useful to consume chaga in this way, it should not be used on a commercial scale until good quality cultivated sources are readily available. That also goes for other wild harvested herbs and foods unless they are species that are very aggressive or "invasive" by nature and the scale of harvesting isn't too large.

I strongly encourage anyone who uses herbal products to only use those that are manufactured from certified organically grown sources. In the case of chaga, if you love and respect herbs and Nature, you might even want to consider complaining to stores or companies that sell or manufacture these products. If we can raise the level of awareness of these issues maybe things will change before chaga goes the way of other herbs that have been over-harvested.

So, you might ask why I'm putting out information on the medicinal uses of chaga at all? Firstly, although the current popularity of this fungus is not a good thing, I'm hoping that some good can come of it by using it as a vehicle to help raise awareness of these issues. Secondly, I feel that it is a very important part of our healing process that we engage with Nature as much as possible and learning about herbs and making our own medicines is a great way to do that for those who are so inclined, as long as it is done in a respectful manner. Teaching people how to do this is one of the ways that I can help people to connect with Nature and the medicines that they use, as well as how to do it in a way that honours our relationship with the world we live in. Finally, chaga is an awesome medicine (when used correctly)! Nevertheless, due to the significant reduction in wild populations, I have significantly reduced my use of it to those conditions where it really excels, which are conditions of the bone marrow and autoimmune conditions that don't respond as well as I would like to some of the other herbs that I typically use for these types of conditions. I also only use it at a proportion of no more than 20% of a formula. For all of its other uses chaga works no better than many of the other herbs that I use. I also encourage everyone else to use it similarly to reduce our impact on wild populations.

Unfortunately, chaga is primarily being promoted for use as a general tonic, which leads to the greatest amount of consumption. Although it can be very effective as a tonic when used correctly, it should not be used indiscriminately. However, under the current circumstances I no longer recommend its use in this way. There are many medicinal mushrooms and other herbal immune tonics and adaptogens that are available commercially from organically grown sources that work just as well. There's no need for chaga to be used as a general tonic.

Turkey tail (Trametes versicolor) is an excellent tonic mushroom that is readily available from organically grown sources.

If you do wish to harvest some chaga for personal use, it should only be harvested in areas where there is no evidence that anyone else has been harvesting it. There should also be a fair bit of it around so that you only have to harvest from a small percentage of the fungi. Chaga often grows high up where we can't reach it, so look up. If you only find one that is growing at a level that you can reach but there are at least a few in the area growing up high, it's fine to harvest it. Look for fungi that grow out past the surface of the tree and only harvest up to 50% of any given fungus. Make sure that you leave some of the outer black crusty portion and don't cut it deeper than the surface of the tree.

Although chaga is traditionally used as a tea, it is best to make a tincture of it. The amount of fungus required per unit dose is much smaller for tinctures because they extract the chemical constituents and are assimilated more efficiently. There are some people who claim that medicinal mushrooms can not be extracted as tinctures. This isn't true! Most of the people who make these claims are affiliated with companies that use expensive high-tech extraction methods that you can't use at home. Some have been propagating this misinformation to encourage people to use their products. The key to making a tincture is that the fungus must be chopped very fine, basically to the level of a very course coffee grind. It is best to use a menstruum (extraction medium) that is 60% water, 30% alcohol and 10% glycerin. This menstruum will efficiently extract polysaccharides and other constituents that don't like alcohol, but still extract those that like alcohol efficiently as well. Finally, the herbs should be macerated (soaked in the menstruum) at least three months before you press and filter it to make your tincture.

It wasn't my intention to keep harping on this topic. There was a lot of action on my previous post on chaga, so I decided that it would be nice to put up a video on it. The video was recorded about a month before I did that post. It was coming across that butchered chaga during that field workshop that inspired me to finally write that post, although I had been thinking about it for some time. After seeing a growing number of ridiculous products containing chaga appear on the market over the last couple of months and then watching that video a few times while editing it, I felt like there was a bit more I needed to say about it. So there it is! The next post will be about something else...


Friday, October 11, 2013

Hormone Disruptors: Zombie Molecules?

As an herbalist and teacher concerned with health and healing I spend a lot of time talking about and addressing issues of toxicity, both within our bodies and within the environment that we are part of and on which we depend for our existence. Although the causes of chronic illness are very complex, toxicity is a major causal factor in the development of most if not all chronic conditions.

Toxins can affect our health in many ways. They can promote oxidation of important metabolic and structural molecules in our body. They can also react with these substances in other ways that alter their chemical properties. In addition, many toxins have the ability to bind to chemical receptors in our body, such as neurotransmitter and hormone receptors, and alter our body metabolism in undesirable ways. This latter group, those that can interact with hormone receptor sites, are often referred to as "hormone disruptors" and they are a particularly important and common group of environmental toxins that have been getting a lot of attention recently. They include numerous petrochemical products, components of plastics, pesticides, herbicides, fungicides, and many other chemicals that are used in industry, agriculture and medicine.

How is our Earth Mother supposed to support and heal us if we keep poisoning her?

Hormone disruptors are known to negatively affect the health of endocrine and other organs, and many of them are carcinogenic. They also have some other properties that are of particular concern. For instance, there is some recent research that indicates that at least some of them may have stronger actions in extremely dilute doses that are well below the accepted "safety limits" than in larger concentrations (see: http://www.scientificamerican.com/article.cfm?id=low-doses-hormone-like-chemicals-may-have-big-effects).

Hormone disrupting chemicals are also known to produce epigenetic effects. This means that they can affect gene expression, turning on or off the action of genes in ways that alter the way they are supposed to be behaving. Animal research has demonstrated epigenetic effects from as little as a single exposure to a chemical and that the results can be passed on through multiple generations (see: http://www.scientificamerican.com/article.cfm?id=the-chemical-exposure-that-keeps-go). If they can have such a profound effect after a single exposure, imagine what they might do when they are floating around in our body tissues and fluids for most of our life - not just one but hundreds or possibly thousands of them!

As if these insidious microscopic nasties weren't bad enough, some new research indicates that they have yet another property that takes their nastiness to a whole new (and scarier) level: they can rise from the dead! Apparently it's true (hopefully this won't spawn a whole new genre of nano-zombie movies!). Of course, the zombie analogy is a stretch. What's really going on is that in the environment a certain percentage of these molecules are broken down when exposed to light during the day. However, after the sun goes down some of them have the ability to regenerate themselves (see: http://www.scientificamerican.com/article.cfm?id=hormone-disruptors-rise-from-the-dead-like-zombies). This has profound implications concerning the persistence of these chemicals in the environment and also our ability to accurately assess their levels, since researchers tend to take samples to test for chemical pollutants during the day when their concentrations will tend to be lower.


This is me doing my zombie hormone disruptor imitation!

Lucky for us both the human body and the environment are extremely resilient. That isn't to say that they can take abuse indefinitely, but when I look at the level of abuse that we have inflicted on the Earth and that some people inflict on their bodies I am in awe of how much abuse living things, whether they are organisms or ecosystems, can take. It speaks to the incredible capacity of life to heal and regenerate!

So what can we do about it? Basically, do our best to minimize the amount of toxic crap that we put in and on our bodies and into our environment - and do it with a smile! There's no point getting stressed out about it (more toxic crap!). We can only do the best we can and try to keep a positive attitude. Gratefulness is a good place to start. We are less likely to pollute what we feel grateful for. Of course, it is best if we eat and drink certified organic food as much as possible; minimize consumption of canned foods; avoid food and drink that is packaged in plastics #1, #3, #6 and #7; use only natural cosmetic products; and minimize contact with thermal papers like those used in cash register receipts and cheaper fax machines. In addition, a bit of detoxing periodically is always a good idea. There are many herb friends that would be happy to help us along with that!


This burdock (Arctium nothum) is the hybrid between common burdock (A. minus) and great burdock (A. lappa).
The roots of all three are excellent for helping to eliminate hormone disruptors and other toxins from our body.

One day I hope to do a post on herbal detoxification. In the mean time you can find more information in my previous posts More Bad News Concerning PhthalatesMore Bad News About BPA (and Friends!), and More Bad News About BPA, Postscript. One of them has a link to an article on detoxing that I wrote a number of years ago.


Saturday, September 28, 2013

Chaga and the Wild Harvesting Dilemma

There are many wild spaces where I love to walk and, when necessary, harvest herbs. Whenever I explore a new area or trail, I keep a record of what species grow there. For those herbs that I use in my practice, I will also estimate the approximate amount (in litres of tincture) that can be sustainably harvested from the area of any species that are growing in sufficient quantity. Since plant populations change, I update these records every time I visit an area. As someone who wild harvests almost all of the medicines that I use, this information is very important to me. I maintain a data base in which I keep track of it.

Every year I try to visit a few new areas. This is partly because I want to deepen my relationship with the region where I live and one of the ways I do that is to get to know its diversity of landscapes and ecosystems. However, in exploring new areas I am also keeping track of the medicines that grow there. I like to have as many locations as possible to harvest each of the medicines that I use so that I don't have to harvest them in any particular region more than once every few years. I am extremely anal about respecting the medicines and making sure that they are harvested in a sustainable manner. I have written about this in more detail in my post Wild Harvesting Herbs.

In my practice I use several medicinal fungi. One of the fungi that I harvest is clinker polypore (Inonotus obliquus), better known these days as chaga. The name chaga is an anglicized version of the Russian version of the name of the fungus in the language of the Komi people of central Russia. Since this fungus has been popularized as chaga, very few people know its English name.

Clinker polypore (Inonotus obliquus), better known as chaga.

Chaga is a fungus that grows primarily on birch trees (Betula spp.) in the region where I live. It has been used for various purposes by many traditional peoples throughout the temperate and subarctic regions of the northern hemisphere where it grows. Until the last decade or so, most people in our society had never heard of it. However, it has become popularized in recent years, which is not a good thing! This fungus grows very slowly and is difficult to cultivate. In addition, so far the medicinal properties of the cultivated fungus are significantly inferior to the wild harvested fungus. Another concern is that this is not your typical wood rotting fungus. Most of the conks or bracket fungi that grow on living and dead trees are actually the reproductive organs or fruiting bodies of organisms that grow as a network of filamentous mycelia beneath the bark or through the wood. When we harvest the fruiting body of a fungus, we are not harvesting the main part of the organism. However, chaga doesn't grow this way. The part that appears growing out of the side of birch trees is not the fruit. It is the actual fungus. Chaga rarely fruits and usually only after the tree dies. So, when we harvest chaga, we are harvesting the main body of the organism.

When walking through areas with a lot of birch trees, I used to see a fair amount of chaga. However, in the last couple of years what I am mostly seeing is a lot of trees from which the chaga has been removed and very little chaga itself. This is not simply a matter of a few people harvesting some for personal use. With the popularization of this fungus it seems that there are some people who think of it as a free resource that they can harvest at will in order to make some money. What I'm finding is that most of the people out there harvesting chaga are doing their best to gouge every last bit of it out of the tree. Remember, in this case they aren't just harvesting the fruit and leaving the organism intact. They are harvesting the whole fungus! In addition, they are doing a lot of damage to the trees that it grows on, leaving gaping wounds through which the trees can easily be affected by insects or disease.

When I harvest chaga, I only harvest it in areas where it is plentiful; I only harvest from a small percentage of the fungi growing in the area; and I only harvest part of any given conk and leave 50% or more of it intact. What I'm seeing out there is the result of people harvesting every fungus they can find and doing their best to completely extract it from the tree it is growing on. Needless to say, given that chaga rarely fruits and grows very slowly, this fungus is rapidly becoming scarce in the more accessible areas where it was once relatively common.

Chaga harvested correctly: not cutting too deep and leaving more than half of the fungus intact.

It is ironic that the demand for chaga is due to a growing interest in "natural healing". However, this is the antithesis of what natural healing is really about! Natural healing is about cultivating more balanced and harmonious relationships with ourselves and the world we live in. There is nothing balanced or harmonious about the consumerism driven and disrespectful way that chaga is being torn from the landscape. This is something that many people still don't get. Our lack of health in body, heart, mind and spirit is largely due to how we interact with the world. We live in a society that is way out of balance and as long as we continue to perpetuate the unsustainable paradigm that underlies the status quo we will never really be healthy!

One of the many fallacies of the current Western world view is that we are individuals. It's all about me! It's OK to rape the ecosystem to provide me with what I want. In truth, there are no individuals. Our life depends on the life of our Earth Mother and all of the beings that we share this life with. Everything we do affects everything else and will inevitably come back to bite us if it isn't done with respect and wisdom.

If we are trying to live "green" or "natural" we have a responsibility to investigate the reality behind the latest "green" or "natural" products. We can't necessarily trust the word of anyone who is trying to sell us something. That doesn't mean that they are always manipulative or deceptive - but they often are. Even people who mean well are less likely to dig too deeply into something if their livelihood depends on it. Inevitably, we need to do some research for ourselves. For example: electric cars aren't green or sustainable if they use electricity that is produced by coal plants; solar panels are not green or sustainable if it takes more energy to make them than they will produce in their lifetime, or manufacturing them requires the use of rare and/or toxic elements; shipping exotic "superfoods" half way around the world when there are foods of similar or better nutrient density growing in the area where we live is not green or sustainable - and who knows what environmental transgressions may have been committed where they were grown or harvested? Farming and harvesting practices are not something we can easily verify for plants that come from distant regions. Similarly, wild harvesting foods or medicines on a commercial scale is almost always unsustainable.

Getting back to chaga, the use of this fungus has been popularized in several books and articles, and by the people selling it. As a result, it has become one of the latest and most popular fad herbs. Proponents of its use are recommending it be consumed as a tea and that it be drunk liberally. Some people recommend drinking the tea several times per day for many months or even indefinitely. Looking at the bigger picture, there are several concerns with this scenario. Firstly, chaga is the strongest medicinal fungus that I have used. It is not appropriate for liberal use on an ongoing basis. Like all medicines, it needs to be used with respect. Secondly, using it as a tea requires that it be used in much larger quantities compared to using it as a tincture because the amount of herb required per unit dose is much larger for teas. With the amount of chaga that will keep someone in tea for a few weeks, I can make enough tincture to supply my entire herbal practice for several months! I realize that it was traditionally used as a tea, however, I have found the tincture to be as or more effective at least when prepared by the method that I use (for more information see my previous post Making Medicine, Part 3). Finally, because of the way it grows, chaga simply can not be sustainably harvested on any kind of scale. If we want to harvest a fungus on a very limited commercial scale, it should be one that is very common and produces abundant annual fruitings that can be harvested while leaving the fungus undisturbed. An example of a fungus that might possibly fit into this category is birch polypore (Piptoporus betulinus), which has some similar properties and constituents as chaga, although they do have there differences. However, even "limited" commercial harvesting is not really sustainable because who is going to control how many people are doing it and how much they are harvesting? We're not talking about a village healer harvesting it to supply the needs of a small village in a remote area. If there is a demand for it and money to be made, it won't be long before the amount being harvested reaches detrimental levels. Harvesting the fruiting body might not kill or harm the fungus, but it will reduce its rate of reproduction. In reality, the only fungi that should be sold commercially for medicines and especially for foods (since they are consumed in much larger quantities) are those that have been grown commercially - certified organic of course!

A fruiting of birch polypore (Piptoporus betulinus) growing out of a fallen paper birch (Betula papyrifera) log.

Saying that wild harvesting medicines is unsustainable might sound like a contradiction coming from an herbalist who uses almost exclusively wild harvested medicines! However, what I am saying is that there are very few herbs that can handle being wild harvested on a commercial scale. A few herbalists wild harvesting herbs for their healing practice and a few more herb enthusiasts harvesting some herbs for personal use is sustainable if they are harvesting the herbs in an ethical manner. In fact, these days most herbalists don't wild harvest very many or any of their medicines. There are many reasons for this. One of the main reasons is that it is extremely time consuming. At the most, if I harvest the medicines in a respectful way I can only harvest enough to make a sufficient amount of tincture to practice two full days per week (6-8 clients per day)! Personally, I only practice one day per week. The rest of the time I am teaching and doing other work. Even practicing one day per week a significant proportion of my time is devoted to wild harvesting from April to November. During the peak harvesting periods (May to July and November) it takes up the largest proportion of my time.

There are still a few herbs that I either can't harvest in sufficient quantities to meet the needs of my practice, or for which I haven't found a suitable substitute that grows in the region where I live. I need to purchase these herbs, fresh whenever possible, to make a few of the tinctures that I need. I always purchase these herbs certified organically grown. If I can't wild harvest an herb myself or get it from a certified organically grown source, I don't use it. I never purchase commercially wild harvested herbs.

That being said, due to the increasing popularity of herbs and herbalism coupled with our unsustainable population growth, there may come a time when it is no longer possible for me to continue wild harvesting the herbs that I use. The wild populations of herbs simply won't be able to handle it. At that point I will grow as many as I can and purchase the rest. But I'll still go out there and continue to deepen my relationship with the wild herbs and the lands where they live.

There is no doubt that there are a few wild herbs that can handle some level of commercial wild harvesting at this point. However, there aren't many and a lot of them are not well known or commonly used. The criteria that would need to be met for an herb to fall into this category are: it must be very plentiful and adaptable, more or less invasive by nature; it must prefer to live in the kinds of habitats that humans create when we change the landscape; it must be able to be harvested without negatively impacting the ecosystem where it lives. In North America, most of the herbs that fall into this category are Eurasian plants that have naturalized here, such as common dandelion (Taraxacum officinale), burdock (Arctium spp.) and red clover (Trifolium pratense). In my region, the only native species that I would include are a few species of asters (Symphyotrichum spp.) and goldenrods (Solidago spp.). Obviously, it will be different in different regions. Another possibility is using the parts of some commercially harvested tree species that are discarded during the harvesting process, such as the leaves and young twigs of conifers like white pine (Pinus strobus).

Canada goldenrod (Solidago canadensis) is one of the few native Ontario herbs
that could be wild harvested commercially to some degree.

One of the reasons that people like wild harvested herbs is because there is a belief that their medicinal properties are superior to those of cultivated herbs, even if they are organically cultivated. For the most part this is true, but it doesn't have to be! Wild harvested herbs have a lot more strength and vitality than cultivated herbs even though cultivated herbs may sometimes look better. This is partly because cultivated herbs are often grown in conditions (soil type, moisture, amount of direct sunlight, monoculture, etc.) that are not typical of their natural habitat. However, the main reason is because cultivated plants are pampered. We all need a certain amount of stress to maintain a decent level of health and vitality. Plants are no exception. Too much stress can weaken them, but so can too little stress. For instance, a certain amount of drought stress is good for most plants. How much depends on the species. Watering them every time the soil gets a bit dry usually isn't a good idea. However, letting them dry out completely isn't either. Also, every organism needs some competition. This can be accomplished by careful companion planting. It is also a good idea to allow some "weeds" to grow, as long as they aren't allowed to get the upper hand by crowding out the herbs we are growing, above the ground or below it. Most "weeds" are useful anyway, either as medicines or foods.

So that is my rant about chaga and the ethics of wild harvesting. Once more, for more information I recommend reading my earlier post Wild Harvesting Herbs. In the mean time, the chaga is rapidly disappearing from the more accessible areas of southern and central Ontario. Although chaga is a great medicine when used correctly and with respect, I strongly recommend considering other medicinal fungi that are available from organically grown sources such as lacquered polypore or reishi (Ganoderma lucidum), hen-of-the-woods or maitake (Grifola frondosa), or oyster mushroom (Pleurotus ostreatus).

You might also be interested in my follow-up post More On Chaga and the YouTube video Michael Vertolli On Chaga.


Monday, August 5, 2013

Harvesting Artist's Conk (Ganoderma)

Although I primarily use plant species in my practice, I also use several medicinal fungi. The first group of medicinal fungi that I started using about 15 years ago were several of the Ganoderma species. These are bracket fungi or conks that grow on wood. Of the various members of this genus, by far the most popular is lacquered polypore (G. lucidum), better known by its Japanese name reishi. This species grows on a number of different hardwood trees. Although it is circumboreal, growing throughout the temperate regions of the northern hemisphere, it is rare in the region where I live. As a result, I primarily use artist's conk (G. applanatum) and hemlock varnish shelf (G. tsugae), which are quite common in this area. All three species have similar properties.

I came across this lacquered polypore (Ganoderma lucidum) in mid June this year growing from the base of a
beech tree (Fagus grandifolia). It is one of the few times I have seen it growing in the region where I live.

I have used all three of these Ganoderma species. Lacquered polypore is not common where I live, however, one year I purchased a log that was inoculated with the spores of this species and grew it so that could make a tincture of the fresh fruiting body and compare the properties of all three species. Although it is not as well know as reishi, I actually have a slight preference for artist's conk. However, in my practice I usually use a 50/50 mixture of the tinctures of the fresh fruiting body of artist's conk and hemlock varnish shelf. I sometimes mix closely related species that have similar constituents and properties to increase the diversity of chemical constituents in the medicines that I use. I find that closely related species are often mutually synergistic and the properties of these combinations are sometimes more consistent and versatile than using the individual species.

Hemlock varnish shelf (Ganoderma tsugae) often looks very similar to lacquered polypore, but it grows almost
exclusively on hemlock (Tsuga spp.). The margin is whiter compared to the photo of
lacquered polypore (see above) because this one is still growing.

Artist's conk is one of the most adaptive fungi in terms of the variety of tree species that it can grow on. It primarily grows on hardwoods, but on rare occasions I have seen it growing on conifers as well. That being said, in the region where I live it most commonly grows on sugar maple (Acer saccharum) and American beech (Fagus grandifolia).

Unlike its relatives, the fruiting body of artist's conk is perennial. If the conditions are right it can grow for many years. It is brownish with a woody appearance on top, but the underside is white and somewhat rubbery. If we draw on the underside with some kind of stylus, it leaves distinctive lines that will be preserved if the fungus is dried. This is how it got its common name. I have seen some pretty amazing pictures that were drawn on artist's conk!

Artist's conk used to be one of the most common fungi in southern Ontario. However, in the last few years it has become less common. As a result, I have found it a little more difficult to find good harvestable specimens. I suspect it has something to do with the average age of the forests in our region. From 1980 to 2005 there were a lot of very old beech and maple trees that gradually died off. There aren't that many of the oldest ones left in a lot of the forests that I frequent. This is just my hypothesis. There are probably other reasons as well.

The fruiting body of artist's conk (Ganoderma applanatum) is perennial and can grow for many years.

I use a moderate amount of Ganoderma tincture in my practice. Typically about 4-6 litres per year. Since I mix artist's conk and hemlock varnish shelf, that means I need about 2-3 litres of each species per year. The fruiting bodies of these species are pretty heavy. If I can find a decent supply I will usually harvest enough for two years so that I don't have to harvest it every year. However, this year I couldn't find much good quality artist's conk. I had one litre of the Ganoderma mixture pressed and another litre of this species on hand macerating. I was able to find just enough to make another two litres. Fortunately, I only needed to find one good sized conk to make this amount.

The fruiting of many fungi species is variable. It is particularly influenced by the amount of available moisture. In some years certain fungi may not fruit at all if there isn't enough rain. For instance, a couple of years ago it was very dry in Southern Ontario and the artist's conk, hemlock varnish shelf and birch polypore (Piptoporus betulinus) in the woods around my home didn't fruit at all. But the birch polypore, which typically fruits in August or September, finally did fruit during a thaw in mid January!

A new fruiting of artist's conk (with a friend hiding beneath!).

The new growth along the margin of a fruiting body looks white and rubbery, similar to the appearance of the underside. As it reaches the limits of its new growth it transforms into its typical woody appearance as the white band along the edge gets increasingly narrower until it finally disappears. The spores are released from pores in the underside, which is why it is called a polypore. Apparently the top and underside of the fruiting body have an opposite electrical charge. As a result, some of the spores when they are released are attracted to the top of the fungus. During the peak of its fertile period there is often a deposit of the brownish dusty spores on top of artist's conk.

Another friend: This wood frog (Rana sylvatica) was nearby watching the strange dude photographing fungi!

There is a brief overlap between the period of active growth and the fertile period when spores are produced. This is when I prefer to harvest it. At that point there will still be a very narrow white growth band along the rim, but there will already be a light dusting of spores on top unless it has been fairly breezy. Since the growth of this species is so variable, the point where it is at this stage can be anywhere from mid June to early August in southern and central Ontario. This year I harvested artist's conk on July 12th. It was a bit more mature than when I usually harvest it. The first week of July would have been ideal.

I have found that it is best to only harvest the part of the conk that grew during the current year and the previous year or two. The portion that grew each year can be easily determined by the distinctive growth bands on the upper surface. When it is harvested this way it will continue to grow in the following years.

Sometimes artist's conk grows more vertically and the growth bands are layered on top of each other.
On this one the dusting of spores is visible on the upper surface.

The harvested portion of artist's conk. The yellow stain on the cutting board was from processing
fresh organic turmeric rhizome (Curcuma longa) a few weeks previously.

The underside of the same piece. The discoloration on the lower part is bruising caused
by my fingers when I was holding it while cutting it with my knife.

When we harvest the previous three years of growth, there will often be a portion of the upper surface from two years prior to the year it is harvested that is old and dying. This oldest layer is removed. This is best done with a good heavy-bladed knife like a cleaver or sometimes a serrated knife will work well.

You can see the distinctive growth bands layered vertically in this cross-section.
The upper layer that has lots of white in it is too old and must be removed.

Here's the same piece from above after the older tissue was removed.

Once the older tissue is removed, there are two stages in processing artist's conk to prepare it for making a maceration. It is not possible to immediately start chopping it with a mezzaluna  because the fruiting body has a dense but somewhat rubbery quality. It gives too much to be cut in this way. It is necessary to slice it up into smaller pieces first. The same kind of knife we used to remove the older tissue will work well for this.

Artist's conk after the initial cutting.

Once the pieces are small enough, they can be chopped finer with the mezzaluna. This is much quicker than doing it with the cleaver.

Here it is again after the final chopping.

Some fungi absorb a lot of water. This needs to be considered in terms of how we prepare a tincture because the water content will dilute the constituents in the tincture. Because of this I will step up the potency of these fungi one level. Whereas I primarily recommend preparing a 1:5 maceration (1 part herb to 5 parts menstruum) for fresh herbs, for really wet fungi I will prepare a 1:4 maceration. However, this will further increase the amount of water in the tincture. In order to compensate for this I need to adjust the menstruum as well. For dried herbs I usually use a menstruum consisting of 60% water, 30% alcohol and 10% glycerin. For fresh herbs I increase the concentration of the alcohol and glycerin slightly to compensate for their water content. The ratio I use is 56% water, 33% alcohol and 11% glycerin. Since I primarily use fresh herbs, it is the latter mentruum that I use most of the time. However, with really moist fungi I adjust it further to 52% water, 36% alcohol and 12% glycerin. Hemlock varnish shelf and birch polypore fall into this category, but there are other fungi, such as clinker polypore (Inonotus obliquus), better know as chaga, that are no more moist than the average herb. In the latter case no adjustment of the potency or menstruum is necessary. Artist's conk tends to fall into the middle. If there has been a lot of rain it can be fairly moist, however, sometimes it isn't. Each time I make it I have to decide whether or not it is necessary to compensate for the moisture level.

I have covered the specifics of making a maceration of a fungus like artist's conk. For other more general details on the process of making a tincture, see the Making Medicine series of posts.

Ground ivy is a moderately aromatic herb. Its relatively mild flavour is somewhat minty and musky with just a touch of bitterness. If I have any left over I will dry it and use it to make a tea. I like the taste of ground ivy but some people find it a bit unpleasant. However, it is not overpowering and blends well with many other aromatic herbs.

Many medicinal fungi are moderately to significantly adaptogenic. Although every adaptogenic herb has some specific areas of use, adaptogens also work as general tonics and tend to have benefits for our whole body. However, I have found that for people suffering from chronic health conditions, in order to get the most out of using adaptogens it is best if they are used in the final stages of treatment where they have both specific and generalized actions and help to coordinate the functioning of the different systems of our body. They can also be used as general tonics by people who are relatively healthy.

I have found that the adaptogenic fungi are a little bit different than some of the more purely adaptogenic herbs like American ginseng (Panax quinquefolius). Whereas ginseng works best in a purely adaptogenic formulation, fungi such as artist's conk are excellent transitionary herbs. I use them in formulations at the stage when I am transitioning a person from some other kind of formulation into the final adaptogenic stage of treatment, as well as in more purely adaptogenic formulations.

That's all I'm going to say about the properties of artist's conk. In the Herbal Resources section of my website I have provided a pdf document that you can download that is based on my research and experience with this herb.

Link to PDF file.


Thursday, July 4, 2013

Harvesting Ground Ivy

On June 12th I went to one of the areas where I wild-harvest herbs and harvested ground ivy (Glechoma hederacea), better know as creeping Charlie in some areas. This Eurasian species has naturalize throughout much of North America. Some people consider it invasive, especially in shady areas, but it really isn't. It can sometimes be prolific, but it doesn't crowd out other species. It often grows on shadier parts of lawns. If you notice a somewhat minty smell when you are mowing the lawn, you've probable mowed some ground ivy!

This is an herb that I use in moderate quantities in my practice - typically about 4-5 litres per year. It is a very versatile herb and I would probably use even more of it if it wasn't for the fact that it is a difficult herb to harvest in quantity due to its small size. As I still had 2 litres of ground ivy macerating and a bit more already pressed, this year I harvested 5 litres. With herbs that I use in small to moderate quantities I usually harvest a two year supply so that I only have to harvest about half of them each year, but because of difficulty harvesting large quantities of this herb it is necessary for me to harvest it annually.

Ground ivy (Glechoma hederacea) in the early spring before it starts to produce flowering stalks.
The larger, older looking leaves are the ones that have over-wintered.

Ground ivy is fairly sensitive to variations in weather conditions from year to year. In the region where I live it can go into flower any time from mid April to early May. It has a relatively long flowering period, typically flowering until late June or early July.

Although we tend to harvest the aerial parts of most herbs very soon after they go into flower, with ground ivy it is preferable to wait until a bit after the middle of its flowering period. This is because the flowering stalks that we harvest are relatively small and don't weigh very much. It is best to wait until they are almost at their maximum height. I usually harvest it from early to mid June, depending on the weather conditions in any given year.

The young stalks of ground ivy just before it begins to flower.

Fortunately ground ivy has a fairly long period when it can be harvested - typically about two weeks - because, with the unusually cool, wet weather we have been having, there haven't been very many days when the conditions are ideal for harvesting herbs. As a result, I didn't get a few of the herbs that I intended to harvest; but I had to get ground ivy because I use a fair amount of it.

This is what ground ivy looks like when it first goes into flower.

Last year the conditions were the opposite of this year. They were unusually hot and dry. As a result, I harvested ground ivy earlier; on June 5th. It was actually about a week later in its life cycle when I harvested it last year. Had I harvested it at a similar stage to when I harvested it this year it probably would have been about a week earlier, more like the end of May.

Here is ground ivy a few weeks later.

This year on June 12th I headed out to a wilderness area about 15 minutes from where I live to harvest ground ivy. As always, I began by offering tobacco to the spirits of the land and the medicine and asking permission to harvest the medicine that day. After I received permission I headed to an area where the spirit of ground ivy is very strong and there is a large healthy population.

A closer look at our friend. Notice that it has square stalks and opposite leaves, typical of the Mint family.

Although for the most part our spring was cool and wet, we did have a few short periods when it was sunny, hot and humid. The day I harvested ground ivy was during one of those periods. It was very hot that day and I had to be careful not to drip sweat onto the herbs as I harvested them. It was also the first day when the mosquito people were quite present. I rarely use mosquito repellent and only use a natural formulation that I make when I do. However, I never use repellent when I am harvesting herbs. Partly it is to ensure that the essential oils in the repellent I use don't contaminate the herb(s) that I am harvesting. But it is also another way that I give back to the land where I am harvesting. I never intentionally kill biting insects and when I am harvesting I just let them bite me. Eventually my blood will work its way up the food chain, into the soil, and even the plants that live there. The the sacrifice of the plant people when they offer the gift of their medicines is far greater than the little bit of blood that the mosquitoes take from me. In fact, I have a good relationship with the mosquito people and they bite me a lot less than they bite other people. When I'm with other people they hardly bite me at all, unfortunately for the others! When I used to have a more antagonistic attitude towards them they used to bite me as much as anyone else.

The flowering stalks of ground ivy can grow up to 50-60 cm (20-24 inches) tall, but it is best to harvest them when they are about 30-40 cm (12-16 inches) tall. We harvest about the terminal 50% of the stalk. In order to ensure that I do not have too much of an impact on the local population of this herb, I only harvest about from about a third of the stalks in any given area.

The harvested portion of two different size flowering stalks. The top one is 20 cm (8 inches) long,
the bottom one is 15 cm (6 inches).

In preparing herbs to make a tincture there are two stages that can be relatively time consuming. The first is the actual harvesting. Plants for which the harvested portion is small or whose population tends to be more spread out take a lot more time. Of course, we have to include the time it takes to travel to and from the area where we are harvesting as well.

The other stage that can be time consuming is the processing that we need to do with the harvested portion before it can be chopped up to prepare a maceration. There are some herbs from which we use the entire harvested portion. However, these are the minority. With the aerial parts of most herbs, much of the stalk is a fair bit less potent than the leaves and flowers. As a result, we usually have to remove a portion of the stalk. The difference in potency between the stalk and the leaves and flowers varies from herb to herb. The greater the difference, the greater the proportion of stalk that has to be removed and the longer the amount of time it takes to process the harvested portion. The more an herb branches, the more time this takes as well. Ground ivy is about medium in this regard. We do need to remove a fair bit of the stalk, but the stalks do not branch. With this herb it is best to remove the leaves and flowers from about the lower 2/3 of the the stalk. That portion of the stalk is removed and not used. I don't waste anything. The discarded stalks end up in my composter. If I didn't have a composter I would return them to the Earth somewhere at my next opportunity.

The same two harvested portions showing the amount of stalk that was removed.

Once the stalk that we aren't using is removed, the herb is weighed to determine the appropriate amount we need to use taking into account the potency we wish to prepare and the size of the jar that we will be macerating it in.

This is the amount of processed herb required to make 1 litre of tincture at a 1:5 potency.

Then we have to chop the herb up relatively fine before it can be macerated. With the right tools, that doesn't take very long. For more information on the specifics of making a tincture, see the Making Medicine series of posts.

Here it is again, chopped up and ready to macerate.

Ground ivy is a moderately aromatic herb. Its relatively mild flavour is somewhat minty and musky with just a touch of bitterness. If I have any left over I will dry it and use it to make a tea. I like the taste of ground ivy but some people find it a bit unpleasant. However, it is not overpowering and blends well with many other aromatic herbs.

There is not very much information on ground ivy out there. It is primarily recommended for respiratory conditions and inflammation and ulcers of the digestive tract. In my experience, I have found it to be a much more versatile herb than what you might suspect based on the information in the literature. However, this is typical. When I use an herb and really get to know it, I always find that it has many more properties and uses than what is indicated in the literature.

Rather than turn this into a super long post by getting into the uses of ground ivy, in the Herbal Resources section of my website I have provided a pdf document on ground ivy that you can download that is based on my research and experience with this herb.

Link to PDF file.

So, that wraps up my discussion of my experience harvesting my friend and colleague ground ivy. Except for the difference of habitat, the process is very similar to harvesting blue vervain (Verbena hastata), which I described in the Making Medicine series. In future posts I will discuss the harvesting and processing some different medicines that have a range of different requirements.